Who is Norman Sann?
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Working in a strip club is an experience unlike any other. From the DJ booth, you get a front-row seat to a mix of personalities and behaviors that fill the room every night. It’s a fascinating, sometimes bizarre, microcosm of human interaction, with a cast of characters that never fails to intrigue. The Window Shoppers and Big Spenders A typical night brings in a mix of window shoppers, who seem more interested in scoping out their next opportunity than enjoying the show, and the occasional anxious big spender, ready to make it rain at any moment. Social Butterflies and Wall Huggers Then there are the social groups, laughing, drinking, and fully embracing the vibe of the night. In contrast, the wall huggers lurk in the shadows, quietly observing the room like silent spectators at a show. The “Under 21” Enthusiasts One of the more unsettling groups, however, are the older men who exclusively seek out the dancers under 21. Watching these men can be uncomfortable, as they gravitate to the youngest performers with laser focus. "It gives off pedo vibes, if I’m being honest," I think to myself as I glance over from the booth. These men often seem desperate, as if they lack the confidence or social skills to engage with women their own age. It’s hard not to wonder: do they even realize how this looks? A Nightly Observation From my vantage point, it’s clear that everyone has a story, a reason for being here, and a role in the chaos of the night. Whether they’re here to party, people-watch, or chase something more elusive, the strip club is a world of its own—a place where every glance, laugh, or tip tells a tale. Final Thoughts For those of us behind the scenes, it’s all just part of the job. We observe, play the music, and let the night unfold. But some behaviors? Well, those will always make you pause and wonder. |
Portland, Oregon’s own Northside Tego has dropped his brand-new single and music video, "Leap of Faith," featuring Northern California’s smooth-talking Joe Blow. This track is a vibe, blending catchy wordplay, a hustler’s ambition, and visuals that transport you straight to Sin City.
The song kicks off with a nostalgic sample, setting the stage with ringing bells that feel like angels calling from above. The video matches the mood, opening with a sweeping shot of Las Vegas, showcasing iconic landmarks like the Palms and Wynn casinos.
Tego wastes no time, jumping into the feel-good beat with the line: "Look, come with me, let's get to this feet/ I'll bring the tree, bring the loose leafs." His playful wordplay and undeniable energy set the tone, reminding listeners that success "comes with a price." It's a hustler’s anthem through and through.
Enter Joe Blow, whose smooth, future-player California flow glides effortlessly over the track. Rapping in front of the massive Las Vegas Dome, he delivers vivid bars that paint pictures, dropping gems like "The Mona Lisa" and elevating the vibe even further.
The video complements the song perfectly—no over-the-top effects, just clean, player aesthetics. It’s the kind of track that gives off summertime energy, perfect for a cruise in the car with the windows down, a spliff lit, and the music loud enough to drown out the world.
Overall, "Leap of Faith" is a solid entry, delivering laid-back vibes and authentic artistry. It’s not trying too hard—it just is.
Rating: 7.9/10
The song kicks off with a nostalgic sample, setting the stage with ringing bells that feel like angels calling from above. The video matches the mood, opening with a sweeping shot of Las Vegas, showcasing iconic landmarks like the Palms and Wynn casinos.
Tego wastes no time, jumping into the feel-good beat with the line: "Look, come with me, let's get to this feet/ I'll bring the tree, bring the loose leafs." His playful wordplay and undeniable energy set the tone, reminding listeners that success "comes with a price." It's a hustler’s anthem through and through.
Enter Joe Blow, whose smooth, future-player California flow glides effortlessly over the track. Rapping in front of the massive Las Vegas Dome, he delivers vivid bars that paint pictures, dropping gems like "The Mona Lisa" and elevating the vibe even further.
The video complements the song perfectly—no over-the-top effects, just clean, player aesthetics. It’s the kind of track that gives off summertime energy, perfect for a cruise in the car with the windows down, a spliff lit, and the music loud enough to drown out the world.
Overall, "Leap of Faith" is a solid entry, delivering laid-back vibes and authentic artistry. It’s not trying too hard—it just is.
Rating: 7.9/10
Meet Queen D’Gorgeous, aka Mz. DG on the Beat, a multi-talented artist out of Georgia who’s making waves in the world of music and beyond. As a poet, graphic artist, music producer, and rapper, DG embodies versatility.
But that’s not all—she’s also the owner of VANTABLACK PRODUCTION, a hub of creative genius that’s catching the industry’s attention.
But that’s not all—she’s also the owner of VANTABLACK PRODUCTION, a hub of creative genius that’s catching the industry’s attention.
DG’s music production is nothing short of exceptional, blending rap, trap, hip-hop, and R&B into a melting pot of genre-defying soundscapes. Her beats stand out for their unique vibe, often capturing a raw energy that feels both fresh and nostalgic. One of her standout tracks, “Gizmo,” showcases her talent in full force.
“Gizmo” grabs you right out of the gate with a gritty hip-hop bassline reminiscent of Run the Jewels. The rhythm is infectious, pulling you into a head-nodding groove that’s impossible to resist. When the intricate drum patterns kick in, you’re instantly hooked—this is a beat designed to make your speakers work overtime. Let’s be honest: by the end of the track, you’ll probably be searching for an ice pack to treat your “hip-hop whiplash.”
Queen D’Gorgeous isn’t just about creating beats; she’s shaping careers. Her client list includes an impressive lineup of artists such as FX, Qualude, JLogan, DreamPusha, LinU Da Goat, and SongBird, among others. Her collaborations are a testament to her ability to adapt her production style while consistently delivering top-tier tracks.
But DG’s journey is just beginning. With her relentless creativity and ever-expanding portfolio, she’s quickly becoming a go-to producer for artists looking to level up their sound. Her beats aren’t just music—they’re movements.
If you’re not already, keep an eye on this one!
“Gizmo” grabs you right out of the gate with a gritty hip-hop bassline reminiscent of Run the Jewels. The rhythm is infectious, pulling you into a head-nodding groove that’s impossible to resist. When the intricate drum patterns kick in, you’re instantly hooked—this is a beat designed to make your speakers work overtime. Let’s be honest: by the end of the track, you’ll probably be searching for an ice pack to treat your “hip-hop whiplash.”
Queen D’Gorgeous isn’t just about creating beats; she’s shaping careers. Her client list includes an impressive lineup of artists such as FX, Qualude, JLogan, DreamPusha, LinU Da Goat, and SongBird, among others. Her collaborations are a testament to her ability to adapt her production style while consistently delivering top-tier tracks.
But DG’s journey is just beginning. With her relentless creativity and ever-expanding portfolio, she’s quickly becoming a go-to producer for artists looking to level up their sound. Her beats aren’t just music—they’re movements.
If you’re not already, keep an eye on this one!
After 10 years behind the decks, I’ve seen it all. As a DJ,
you encounter people from every corner of life—some are a vibe, while others… well, not so much. To help you navigate the club scene and better interact with the ones spinning your favorite tracks (aka “The DJ”), here are a few golden rules to live by:
1. Your Complaints About the Music? Noted… and Ignored.
Hate that new Latto track playing right now? Too bad. Complaining to the DJ about their set won’t change a thing. Think of it like trying to hit 60 mph in rush hour traffic—it’s not happening. We’re hired to read the crowd and keep the energy alive, not cater to one person’s musical preferences. Spoiler alert: We really, really don’t care.
2. Keep Your Bars to Yourself.
We get it—you’ve got fire lyrics and you’re dying to prove it. But barging into the DJ booth mid-set to spit your verse? That’s a hard no. DJs are juggling playlists, cueing transitions, and watching the vibe of the crowd. The last thing we need is someone throwing us off by rapping into our ear while we’re working. Save it for open mic night.
3. Got a Request? That’ll Cost You.
Requests are a thing, sure, but don’t assume they’re free. When you approach us mid-groove and ask us to spin your song, you’re asking us to disrupt the vibe we’ve carefully crafted. That interruption comes with a price—so don’t be shocked when we “tax” you. DJs aren’t jukeboxes; we were hired for a reason.
4. DJs Aren’t Here for Storytime.
You know what’s exhausting? The long-winded chatterbox who slides into the booth and starts telling us their life story while we’re mixing tracks. We’re not being rude when we look disinterested—it’s just that we’re busy curating a packed dance floor, not trying to win a “Most Attentive Listener” award. Cool story, bro… but maybe save it for later.
5. Drink Tickets Don’t Pay the Bills.
This one’s for the promoters and club owners: Stop trying to pay DJs in drink tickets. DJs are professionals, not frat pledges. Paying us what we’re worth is non-negotiable. A drunk DJ might sound fun in theory, but trust me—it’s not good for business. Respect the hustle, and respect the price.
The Final Drop
Being a DJ isn’t just pressing play—it’s reading the crowd, creating memories, and setting the tone for an epic night. So whether you’re a clubgoer looking to vibe or a promoter hiring talent, remember this: DJs stand on business. Respect the booth, respect the craft, and maybe, just maybe, you’ll make it onto our good side.
#TalesFromTheDJBooth
you encounter people from every corner of life—some are a vibe, while others… well, not so much. To help you navigate the club scene and better interact with the ones spinning your favorite tracks (aka “The DJ”), here are a few golden rules to live by:
1. Your Complaints About the Music? Noted… and Ignored.
Hate that new Latto track playing right now? Too bad. Complaining to the DJ about their set won’t change a thing. Think of it like trying to hit 60 mph in rush hour traffic—it’s not happening. We’re hired to read the crowd and keep the energy alive, not cater to one person’s musical preferences. Spoiler alert: We really, really don’t care.
2. Keep Your Bars to Yourself.
We get it—you’ve got fire lyrics and you’re dying to prove it. But barging into the DJ booth mid-set to spit your verse? That’s a hard no. DJs are juggling playlists, cueing transitions, and watching the vibe of the crowd. The last thing we need is someone throwing us off by rapping into our ear while we’re working. Save it for open mic night.
3. Got a Request? That’ll Cost You.
Requests are a thing, sure, but don’t assume they’re free. When you approach us mid-groove and ask us to spin your song, you’re asking us to disrupt the vibe we’ve carefully crafted. That interruption comes with a price—so don’t be shocked when we “tax” you. DJs aren’t jukeboxes; we were hired for a reason.
4. DJs Aren’t Here for Storytime.
You know what’s exhausting? The long-winded chatterbox who slides into the booth and starts telling us their life story while we’re mixing tracks. We’re not being rude when we look disinterested—it’s just that we’re busy curating a packed dance floor, not trying to win a “Most Attentive Listener” award. Cool story, bro… but maybe save it for later.
5. Drink Tickets Don’t Pay the Bills.
This one’s for the promoters and club owners: Stop trying to pay DJs in drink tickets. DJs are professionals, not frat pledges. Paying us what we’re worth is non-negotiable. A drunk DJ might sound fun in theory, but trust me—it’s not good for business. Respect the hustle, and respect the price.
The Final Drop
Being a DJ isn’t just pressing play—it’s reading the crowd, creating memories, and setting the tone for an epic night. So whether you’re a clubgoer looking to vibe or a promoter hiring talent, remember this: DJs stand on business. Respect the booth, respect the craft, and maybe, just maybe, you’ll make it onto our good side.
#TalesFromTheDJBooth
The Blacklist’s President is back!
Today, FX drops his latest single, “Catch Up,” from his highly anticipated forthcoming album, “The End,” set to release on January 10, 2025, exclusively on BandLab.
A Gritty Tribute to True Hip-Hop
“Catch Up” kicks off with a gritty, mid-tempo beat reminiscent of the iconic Dipset era, immediately drawing in listeners with its raw energy. FX wastes no time diving into the track, opening his verse with the powerful line:
"Straight out the Ville tryin' to make like a villain I’m hated / I take my life and I decorate it to celebrate it."
These bars set the tone for a lyrical journey that blends authenticity and ambition.
A Lyricist’s Playground
FX channels his inner Lupe Fiasco, effortlessly weaving clever wordplay into his rhymes. One standout moment in the track features FX spitting:
"I get up on my grind like a skateboard, I hate floors."
This vivid imagery and slick wordplay showcase his growth as an artist, delivering a song that’s both engaging and relatable for hip-hop purists.
Why Hip-Hop Heads Will Love This Track
“Catch Up” isn’t just another rap single—it’s a love letter to hip-hop culture. The combination of FX’s sharp lyricism and the nostalgic production creates a track that feels both fresh and familiar. This is a must-listen for fans of authentic rap.
Rappy Approved: 8.2/10
Today, FX drops his latest single, “Catch Up,” from his highly anticipated forthcoming album, “The End,” set to release on January 10, 2025, exclusively on BandLab.
A Gritty Tribute to True Hip-Hop
“Catch Up” kicks off with a gritty, mid-tempo beat reminiscent of the iconic Dipset era, immediately drawing in listeners with its raw energy. FX wastes no time diving into the track, opening his verse with the powerful line:
"Straight out the Ville tryin' to make like a villain I’m hated / I take my life and I decorate it to celebrate it."
These bars set the tone for a lyrical journey that blends authenticity and ambition.
A Lyricist’s Playground
FX channels his inner Lupe Fiasco, effortlessly weaving clever wordplay into his rhymes. One standout moment in the track features FX spitting:
"I get up on my grind like a skateboard, I hate floors."
This vivid imagery and slick wordplay showcase his growth as an artist, delivering a song that’s both engaging and relatable for hip-hop purists.
Why Hip-Hop Heads Will Love This Track
“Catch Up” isn’t just another rap single—it’s a love letter to hip-hop culture. The combination of FX’s sharp lyricism and the nostalgic production creates a track that feels both fresh and familiar. This is a must-listen for fans of authentic rap.
Rappy Approved: 8.2/10
Stockton, California’s rising star, A. Payne,
makes a powerful entrance into the R&B scene with her debut album Klub Sodaa. Spanning 10 tracks, Payne delivers a smooth, genre-blending project that highlights her vocal versatility, clever lyricism, and undeniable presence.
The album kicks off with the vibrant and upbeat “Love Dealer,” where Payne’s sultry vocals shine as she croons, “She’s pretty, but she has some bad habits.” The Beyoncé-esque instrumental adds a layer of sleek, modern energy that sets the tone for the album. Payne keeps the momentum rolling with “Cigars and Moscato,” a neo-soul gem that showcases her rap flow and playful swagger as she confidently declares, “Big P.A.Y.N.E. do it the best, Nova all on me looking so fresh.” The track’s lively groove evokes the feel-good vibe of early 2000s R&B—effortlessly fun and endlessly replayable.
Then there’s “The Lo,” a standout moment on the album. Payne takes us back to the golden era of 90s R&B with this heartfelt tale of a love triangle. The track channels the energy of legends like Mary J. Blige and Missy Elliott, with a touch of contemporary flair reminiscent of Jazmine Sullivan. Its soulful storytelling and lush production make it a clear highlight.
Other notable bangers include the hypnotic “Eye Yi,” the infectious “Lil Yeah,” the bluesy “Guitar String,” and the smooth, emotional “The Feels.” Payne’s ability to switch effortlessly between sultry ballads and upbeat anthems ensures that Klub Sodaa is a cohesive, no-skip experience.
In short, A. Payne’s debut is a triumph—a fresh yet nostalgic collection of tracks that solidify her as a rising force in R&B. Whether you’re looking for soulful serenades or head-bobbing jams, Klub Sodaa has something for everyone. Add it to your playlist, and thank me later.
Rating: 8.7/10
makes a powerful entrance into the R&B scene with her debut album Klub Sodaa. Spanning 10 tracks, Payne delivers a smooth, genre-blending project that highlights her vocal versatility, clever lyricism, and undeniable presence.
The album kicks off with the vibrant and upbeat “Love Dealer,” where Payne’s sultry vocals shine as she croons, “She’s pretty, but she has some bad habits.” The Beyoncé-esque instrumental adds a layer of sleek, modern energy that sets the tone for the album. Payne keeps the momentum rolling with “Cigars and Moscato,” a neo-soul gem that showcases her rap flow and playful swagger as she confidently declares, “Big P.A.Y.N.E. do it the best, Nova all on me looking so fresh.” The track’s lively groove evokes the feel-good vibe of early 2000s R&B—effortlessly fun and endlessly replayable.
Then there’s “The Lo,” a standout moment on the album. Payne takes us back to the golden era of 90s R&B with this heartfelt tale of a love triangle. The track channels the energy of legends like Mary J. Blige and Missy Elliott, with a touch of contemporary flair reminiscent of Jazmine Sullivan. Its soulful storytelling and lush production make it a clear highlight.
Other notable bangers include the hypnotic “Eye Yi,” the infectious “Lil Yeah,” the bluesy “Guitar String,” and the smooth, emotional “The Feels.” Payne’s ability to switch effortlessly between sultry ballads and upbeat anthems ensures that Klub Sodaa is a cohesive, no-skip experience.
In short, A. Payne’s debut is a triumph—a fresh yet nostalgic collection of tracks that solidify her as a rising force in R&B. Whether you’re looking for soulful serenades or head-bobbing jams, Klub Sodaa has something for everyone. Add it to your playlist, and thank me later.
Rating: 8.7/10
North Carolina’s rising Rap/RnB sensation, LinU Da Goat, graces us with her soulful new track, “Belong.” From the very first note, this song invites you into a rich and intimate soundscape. Smooth wah guitar strings lay down a melody that instantly evokes the timeless vibes of Bobby Womack’s “If You Think You’re Lonely Now.” It’s like stepping into a warm embrace of nostalgia, but with a fresh, modern twist. Lin’s vocals take center stage, and let me tell you, they’re nothing short of divine. Her soulful and sultry delivery could make angels beam with joy. When she sings, “This is where I belong,” it’s as if she’s pouring every ounce of her spirit into each syllable. The transition into her rap verse is seamless and raw. With lines like “How in the hell did I get here, I promised myself,” Lin delivers an introspective performance, baring her soul while maintaining a confident, rhythmic flow. The contrast between her smooth RnB vocals and her poignant rap delivery is where this track truly shines. The overall vibe is reminiscent of artists like Jazmine Sullivan, Macy Gray, and Victoria Monét, yet LinU Da Goat carves out her own lane, delivering a sound that feels both classic and refreshingly original. This track is a pure delight—a soulful anthem that’s deeply relatable and irresistibly catchy. This is one for the playlists, no doubt. Keep LinU Da Goat on your radar; “Belong” is just the beginning of what promises to be an incredible journey. Rating: 8.9/10 🌟
Washington-based artist The Maskali
brought the surprise heat of the night with his killer track, "Noir".
From the moment that slick jazzy bassline drops, you’re transported straight into a high-octane car chase scene--Mark Wahlberg vibes all the way. It’s gritty, it’s cinematic, and it immediately hooks you.
The kicks and snares? Pure nostalgia, evoking the golden age of Tony Hawk Pro Skater. If you’ve ever landed a perfect combo while blasting through a halfpipe, you know the vibe. Then Maskali steps in with his verse and chorus, and everything clicks into place. His flow and delivery channel the smooth, infectious energy of A Tribe Called Quest's “Award Tour,” while the quirky, futuristic spirit of Beastie Boys' “Intergalactic” looms large.
The result? A track that’s undeniably fun, effortlessly cool, and dripping with style. It’s a vibe-heavy anthem, perfect for late-night drives or vibing out with your crew. The Maskali delivers a nostalgic yet fresh experience that’s sure to make waves.
Final Verdict:
7.5/10—a track that effortlessly blends old-school cool with modern flair. Play it loud, and let the vibes take over.
brought the surprise heat of the night with his killer track, "Noir".
From the moment that slick jazzy bassline drops, you’re transported straight into a high-octane car chase scene--Mark Wahlberg vibes all the way. It’s gritty, it’s cinematic, and it immediately hooks you.
The kicks and snares? Pure nostalgia, evoking the golden age of Tony Hawk Pro Skater. If you’ve ever landed a perfect combo while blasting through a halfpipe, you know the vibe. Then Maskali steps in with his verse and chorus, and everything clicks into place. His flow and delivery channel the smooth, infectious energy of A Tribe Called Quest's “Award Tour,” while the quirky, futuristic spirit of Beastie Boys' “Intergalactic” looms large.
The result? A track that’s undeniably fun, effortlessly cool, and dripping with style. It’s a vibe-heavy anthem, perfect for late-night drives or vibing out with your crew. The Maskali delivers a nostalgic yet fresh experience that’s sure to make waves.
Final Verdict:
7.5/10—a track that effortlessly blends old-school cool with modern flair. Play it loud, and let the vibes take over.
Fairmont, WV’s rising talent JLogan
delivers a debut album that’s as introspective as it is captivating. I AM showcases his versatility as a singer, songwriter, and rapper, solidifying him as “The Blacklists Inc.’s number one draft pick.” With 20 tracks to explore, this project feels like an open journal—a deep dive into JLogan’s trials, triumphs, and unrelenting ambition.
The album kicks off with a bold rendition of Kanye West’s Flashing Lights, where JLogan makes a statement from the jump: “Picture rolling, ain’t no film in the camera they picture me dead.” It’s a declaration of resilience and a promise to claim what’s rightfully his, setting the tone for the entire project.
One of the standout moments on I AM comes with “No Reward,” where JLogan switches gears, offering a raw, soulful ballad. His vocal delivery drips with emotion, drawing listeners into his world of struggle and perseverance. It’s one of those tracks that demands your attention—not just for its melody, but for the heart embedded in every note.
Then there’s “Work So Hard,” a true gem on this album. With a stripped-down production featuring smooth guitar riffs and airy pads, JLogan’s voice takes center stage. There’s no need for heavy drums or flashy effects—this track thrives on its simplicity, allowing the rawness of his lyrics to shine through.
Musically, I AM is a well-rounded blend of hard-hitting beats, smooth jazzy vibes, and introspective soundscapes. From thought-provoking rhymes to soulful melodies, JLogan proves his artistry is multifaceted. This is an album that invites you to hit replay, offering something new with every listen.
Overall, JLogan’s debut delivers on its promise, marking him as an artist to watch. While some tracks may resonate more than others, the project’s heart and authenticity are undeniable. I AM is a testament to JLogan’s journey, a body of work that leaves a lasting impression.
Rating: 8.3/10
delivers a debut album that’s as introspective as it is captivating. I AM showcases his versatility as a singer, songwriter, and rapper, solidifying him as “The Blacklists Inc.’s number one draft pick.” With 20 tracks to explore, this project feels like an open journal—a deep dive into JLogan’s trials, triumphs, and unrelenting ambition.
The album kicks off with a bold rendition of Kanye West’s Flashing Lights, where JLogan makes a statement from the jump: “Picture rolling, ain’t no film in the camera they picture me dead.” It’s a declaration of resilience and a promise to claim what’s rightfully his, setting the tone for the entire project.
One of the standout moments on I AM comes with “No Reward,” where JLogan switches gears, offering a raw, soulful ballad. His vocal delivery drips with emotion, drawing listeners into his world of struggle and perseverance. It’s one of those tracks that demands your attention—not just for its melody, but for the heart embedded in every note.
Then there’s “Work So Hard,” a true gem on this album. With a stripped-down production featuring smooth guitar riffs and airy pads, JLogan’s voice takes center stage. There’s no need for heavy drums or flashy effects—this track thrives on its simplicity, allowing the rawness of his lyrics to shine through.
Musically, I AM is a well-rounded blend of hard-hitting beats, smooth jazzy vibes, and introspective soundscapes. From thought-provoking rhymes to soulful melodies, JLogan proves his artistry is multifaceted. This is an album that invites you to hit replay, offering something new with every listen.
Overall, JLogan’s debut delivers on its promise, marking him as an artist to watch. While some tracks may resonate more than others, the project’s heart and authenticity are undeniable. I AM is a testament to JLogan’s journey, a body of work that leaves a lasting impression.
Rating: 8.3/10
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DJ Rappy On The Beat
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